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1 CD
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€ 19.95
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| Label Challenge Classics |
UPC 0608917200140 |
Catalogue number CC 720014 |
Release date 07 February 2025 |
"The interpretations of Bach’s music do not just fill a chapter—they fill an entire encyclopedia of music history, in which Philippe Thuriot’s accordion arrangements deserve a place of respect. […] Exquisite taste and a relaxed cantabile contribute to a listening experience that is entertaining. 4 stars."
Classic Voice, 07-1-2026Philippe Thuriot: Wanneer ik terugkijk, besef ik dat mijn jeugd doordrenkt was met dans tijdens de bals in het café van mijn ouders, Le Café du Village, waar ik ook danste op de accordeon en drums van mijn ooms. In werkelijkheid was mijn eerste daad van adolescentie het ontdekken van Bach, in plaats van de rockbands waar mijn leeftijdsgenoten van hielden. Dit ontketende een decennialange zoektocht naar muzikale schoonheid.
Tijdens mijn studie in Kopenhagen dompelde ik mezelf onder in hedendaagse accordeonmuziek, en mijn drang om te improviseren groeide, wat leidde tot samenwerkingen met jazzmuzikanten. Tegelijkertijd keerde de dans terug in mijn leven door mijn werk met hedendaagse balletgezelschappen. Dit inspireerde me om nog verder te experimenteren met improvisatie.
Dit project, Illuminations, verweeft al deze muzikale ervaringen, met verrassingen en improvisaties op basis van Bachs werken. Ik herinterpreteer zijn muziek met moderne elementen en inzichten, en verzoen me zo uiteindelijk met de muziek uit mijn jeugd. De spontaniteit en het plezier die ik als kind kende, keren in een nieuwe vorm terug in Illuminations.
Philippe Thuriot has spent his entire musical career moving between different worlds.
His earliest musical influences sprang from the jukebox and the bal-musette dances at Le Café du Village, the pub run by his parents. Although he studied “noble” instruments such as violin and clarinet, in the end it was his first instrument, the accordion, that remained on his lap.
It soon became clear that his appetite for broadening and deepening his musical horizons could not be satisfied. During his studies with the renowned Mogens Ellegaard at the Royal Conservatory of Copenhagen, his musical language and imagination flourished through the discovery of the contemporary repertoire for accordion.
His first world tour, in 1996 with Alain Platel's La Tristeza Complice, introduced him to a new artistic experience.
In the meantime, he also discovered the wondrous universe of improvisation. This led to collaborations with masters such as Uri Caine, Ellery Eskelin, René Lucier, Mark Feldman, Louis Sclavis and Maria Schneider.
Solo recitals alternated with collaborations with bands and ensembles.
Many composers have worked with him. Among other things, he premiered Dirk D’Ase's accordion concerto at the Wiener Konzert-Verein. He has performed with Prometheus Ictus, Oxalys, the WDR Big Band, Het Collectief, Symfonieorkest Vlaanderen and the Brussels Jazz Orchestra. Peter Vermeersch and Dick Van der Harst have also written accordion concertos for Philippe.
During the long, empty hours in hotel rooms while touring Pitié with Les ballets C de la B, Thuriot immersed himself in J. S. Bach's Goldberg Variations.
This led to an album supported by Warner Classics and Klara. It did not escape the attention of Philippe Herreweghe, who invited him several times to his Tuscan festival, Crete Senesi.
He was also invited to this prestigious festival with his solo album Couperin and Ravel (Warner).
Recent projects include I Silenti, featuring music by Claudio Monteverdi, with Fabrizio Cassol, Tcha Limberger and Claron McFadden, directed by Lisaboa Houbrechts.
In 2023–24, he toured with Vakepoes (La Geste, Toneelhuis, Opera Ballet Vlaanderen), an acclaimed music-theatre production by Lisaboa Houbrechts, featuring, among others, Stefaan Degand and Elsie de Brauw.
A new music-theatre project, Amours Aveugles by Koen Augustijnen, took shape and toured in 2024–25. This powerful work combining theatre and dance features musical adaptations by Gwen Cresens and Philippe Thuriot, with, among others, Ed Lyon (tenor), Liesbeth Devos (soprano), Gwen Cresens (accordion), Rosalba Torres (dance) and Elie Tass (dance).
In 2024, he recorded a new solo CD featuring music by D. Scarlatti for the label Challenge Records.
In 2025, he released Illuminations on the same label, featuring improvisations based on the music of J. S. Bach.
In his latest collaboration with the Brussels Jazz Orchestra, Philippe is the soloist in Looking Within, for which Bert Joris composed the music.
Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.
Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.
The interpretations of Bach’s music do not just fill a chapter—they fill an entire encyclopedia of music history, in which Philippe Thuriot’s accordion arrangements deserve a place of respect. […] Exquisite taste and a relaxed cantabile contribute to a listening experience that is entertaining. 4 stars.
Classic Voice, 07-1-2026
The question here is how Bach might sound on an instrument that he would have been unfamiliar with, and yet which in its technical capacity is fully capable of reproducing Bach’s compositions in a new sound world. ... a rather captivating set of pieces that will broaden one’s horizons on how such well-known music can serve as the foundation of music of a completely different substance
Fanfare Magazine, 01-9-2025
brings me back to a trip to Paris just a few years ago, when I walked through the metropolis, enjoying the cool spring weather and the accompanying music that wafted through the air. ... Thuriot’s playing magically transports me - and I imagine he’ll do the same for you!
Fanfare Magazine, 03-6-2025
All in all, impressive improvisations and a praiseworthy initiative to elevate the accordion into the realm of the Baroque.
Music Emotion, 09-4-2025